Stage One’s training and support helped Tracey Childs become a theatre producer and is doing the same for apprentice produce…

For the London International Festival of Theatre customer data is power. Libby Penn describes how taking control over ticketing an…

Toby Lowe believes that discussions about the quality of work by artists in the participatory sector are useful for others who ope…

By bringing the findings of academic research into the wider cultural sector, CultureCase is providing the evidence that helps art…

Steph Fuller argues that Creative People and Places projects will take time to take effect and therefore criticism of their impact…

Convinced that the current trend towards an instrumentalist approach to arts funding underestimates the true value of the arts to…

An in-depth project examining Sadler’s Wells’ ‘customer journey’ has resulted in a much more relevant and…

Amy Golding and Kay Hepplewhite report on recent  research to find out what a vibrant fringe theatre scene needs.

Theatre in education has seen many changes since it was first conceived in Coventry fifty years ago. Justine Themen tracks its his…

With little known about how small arts organisations can most effectively use crowdfunding, Oonagh Murphy decided to find out thro…

REP’s Children, a project offering free theatre tickets for babies and their families for ten years, was so successful first…

Matt Baker explains how young people in the Chester area are being encouraged to get involved with theatre, dance and music,…

The Scottish Government’s youth arts strategy aims to increase engagement in the arts as well as tackle inequality. Fiona Hy…

Recent research looked into the value young people in a deprived area of London place on education and participation in the arts….

Academics and one of the country’s major art galleries have joined forces in a model of collaboration which, say Sue Hayton…

Nick Capaldi explains the new partnership between the Welsh Government and the Arts Council of Wales which puts arts and creativit…

How nerve-wracking can it be to sell tickets for a festival that confronts issues such as suicide and abuse? Tim Harrison explains…

Some publicly funded museums are moving away from performance management governance and towards a peer review model. Anwar Tlili e…

An easy, flexible ticketing system has boosted sales for a family show in an inflatable theatre that itself makes theatre-going an…

Feeling that the tales of real modern families are seldom told in the theatre, Liz O’Neill has developed a performance proje…

At a time when fundraising for the arts seems mostly to be done by white females, Michelle Wright speaks to development profession…

Following a recent weekend for aspiring dance leaders, Brendan Keaney is sure that in just a few days the participants were able t…

Financial independence and an ambitious artistic programme may seem incompatible, but Julia Fawcett has found a solution combining…

To mark Eating Disorders Awareness Week, Sarah Pickthall and Maria Pattinson explain how they use art, food and conversation to he…