What’s in a name? And how does an organisation go about changing its brand identity? Lauren James has some top tips.

Succession is often a challenging experience for both the outgoing leader and those left to pick up the reins, as Claire Antrobus…

When arts organisations embed participation into their core purpose, they can connect with exciting and radical ideas and ensure p…

Catherine Allen’s expertise spans augmented and virtual reality, including the development of the immersive sector. Her…

In our series of articles spotlighting new National Portfolio Organisations (NPOs), Christina Lewis explains how Hull-based Back t…

The National Portrait Gallery has reopened after a three-year refurbishment. Its Director, Nicholas Cullinan and Andrea Sullivan o…

Co-Founder of the Festival of Making Elena Jackson says achieving NPO status is a recognition of placing artists and creative prac…

Over the past two years, Unlimited has undergone massive change. From a programme to an independent organisation and now an NPO, i…

Following the publication of the Creative Industries Sector Vision, Peter Bazalgette, who advised on its content, speaks to Arts P…

Two years on from the launch of an international initiative exploring the creative economy for sustainable development, Fran Sande…

Amid recent concerns about the safety of artificial intelligence, Ben Wilson looks at its potential as a resource for fundraising,…

Based in North Somerset, Trigger is a group of shapeshifting creatives who dream-up, create and produce bold and brave, live and d…

Data and insights are at the heart of good business decisions but finding the time can be a challenge. Curiosity and incremental l…

Belfast Book Festival is celebrating its 13th edition this week, bringing together Ireland's storytelling talent. Sophie Hayle…

Chineke! is a ground-breaking foundation renowned for its commitment to increasing diversity and inclusivity in classical music. I…

Police collaboration in arts and culture projects improves their engagement with communities, building trust and confidence, as Ja…

As Chair of the Centre for Cultural Value’s advisory group, Adah Parris reflects on the challenges and opportunities facing…

Connection, communities and collaboration are essential ingredients for working with families, writes Anna Dever, Director of a ne…

In the first of this series on new entrants to ACE's National Portfolio, Tim A Shaw and Niamh White share how this is enabling…

With many conflicting demands on theatre managers’ time, Robin Cantrill-Fenwick identifies three key trends to help keep the…

Many arts organisations list patrons on their website but do we really understand their role? Megan Bennett shares her work buildi…

For over 20 years, MKIAC’s work has been guided by Islamic arts and heritage, combined with influences from Milton Keynes&rs…

Our recent research into everyday creativity reveals new ways cultural organisations could serve wider communities. But making the…

Not all disabilities are visible. So to make your digital spaces more accessible for neurodivergent users, writes Ell Powell, ther…