A recent symposium exploring the impact of artificial intelligence technologies on creative practice has thrown up serious questions of authenticity, ethics, agency and authorship, says Dario Llinares.
Arts organisations are only too aware of the limitations of short-term funding. But, in Northern Ireland, a pioneering financial programme provides a fresh blueprint for future funding of the arts, as Sarah Jones explains.
Whoever forms the next government, Art Fund will be lobbying it for greater access to museums for disadvantaged children through the school curriculum, as Catherine Monks explains.
Apprenticeships offer far more than just a qualification. Charlotte Nicol is convinced they can and will radically change the make-up of the arts sector.
Arts and culture are integral to shaping the places we live. We now need to understand the effects cultural placemaking practices have on our towns, provinces and rural areas, argues John Wright.
In the latest in our series on the arts in education, Steve Ball shares an initiative which connects schools and arts organisations across the city of Birmingham.
Directors of Education and Learning from some of the country’s most high-profile theatres are calling on all political parties to commit to 'Theatre for Every Child'. Claire Walker of SOLT & UK Theatre shares highlights of the campaign.
One of our defining characteristics is the diversity and inclusivity of our team, says Delia Barker, as she reflects on the theatre’s post-pandemic journey.
Does your website give equal priority to main house shows and community events? Lauren James has some tips on how to use your website to be more inclusive of the local community.
Professional boxer and former Young Birmingham Poet Laureate Matt Windle has been working with a group of ‘hard-to-reach’ men in Barrow to help them get creative through words, as Helen Bartosinski reports.
There is significant under- and misrepresentation of the Black community in the creative industries. Emma Sithole of Be United thinks it's time the sector addressed this question of equity.
The National’s Head of Access David Bellwood explains how the theatre prioritises accessibility, working with manufacturers and deploying the latest technology to ensure the best possible experience for theatregoers with hearing loss.
Continuing our series looking at the role of philanthropy in the arts, Tessitura’s Kate Watson and Rebecca Herberson explore whether a US model of philanthropy might provide a viable alternative funding stream in these straitened times.
With increasing demands on the boards of arts organisations—by both funders and the Charity Commission—Helen Keall of Pavilion Dance South West shares her innovative approach to recruiting trustees with the right expertise.
While a great deal of effort has been focused, rightly, on the mental health and wellbeing of performing artists, Claire Cordeaux of the British Association for Performing Arts Medicine (BAPAM), says we should not neglect physical health.
Tees Valley Combined Authority has launched a radical new programme for artists which could provide a groundbreaking model for other authorities, writes Charlie Kemp.
Long-term Heart of Glass collaborator Chrissie Tiller reflects on working with the Merseyside-based NPO and how, by building deeper relationships with communities, the arts can create fairer futures.
With her experience of working across multiple projects, Sarah Fortescue explores how the sector can deliver what they do best, in the best way possible?
