What’s in a name?
Ellen Carr asks at what point can you call yourself a professional?
Posts
Fund-raising the game
Christopher Goodhart believes the route to more successful fundraising comes through thinking laterally & testing new channel…
Not ‘because we’re worth it’
David Dixon unpicks the issues surrounding investment finance for cultural organisations
When art becomes a dirty word
Mindee Hutchinson asks when did the art world stop taking responsibility for the art it promotes?
Open minds fill pockets, dudes
The arts sector should be more open to ideas from elsewhere, suggests Liz Hill
They know where you live
Laura Brown questions whether the regional PR officer’s ‘best contact’ really is one of those national names
Aboard the learning boat: Expose yourself
Nick Sherrard explains why becoming a better collaborator is a lot more like having your hair cut than getting plastic surgery
With a little help from your friends
Jennifer Cooling explains why buddying up to your local tourism body could encourage a wonderful, mutually-beneficial relationship
Producing equality
Dan Baker on what can be done about gender inequality in theatre
After #sota12
Mindee Hutchinson shares her views on the State of the Arts Conference
The receiving end
Glen Pearce reconsiders Laura Brown’s thoughts on the press officer’s ‘best contact’
A tale of two sectors
What is the future for fledgling artistic endeavour as funding cuts start to bite, asks Liz Hill.
Price tag
Greg Klerkx considers the current predicament facing artists
The currency of criticism
Glen Pearce suggests it might be time to include an advertising income rating alongside the star rating
Theatrical clap-trap
Lise Smith asks when did UK audiences start walking out?
Happy not having it all
Cara Courage questions if and why the arts sector is still a man’s world
Aboard the Learning Boat: Don’t just ask it, live it
Andres Roberts reveals the concepts that float his boat
What it’s all about
Phoebe Gardiner on why it’s a good thing she didn’t become a geography teacher
Resource, reuse, reward
Al Lyle explains why he finds inspiration in the thriftiness and resourcefulness of artists
Making the break
Jessica Hope explores the potentially abusive relationship between a press officer and her iPhone
Speak now or…
Liz Hill urges the sector not to miss the wellbeing boat
Case by case
Your recent article ‘Protecting jobs, promoting best practice’ (AP246) included information about Volunteering England…
Critical concern
Glen Pearce details the frustrations of theatre’s most influential audience
Risky business
Playing it safe may be the most dangerous option
