Leeds Playhouse runs courses for D/deaf and disabled artists wanting to enter the theatre. Rio Matchett shares what they have…

A new report from Oily Cart explores making theatre for and with children who have the most barriers to access. Ellie Griffiths su…

Arts Council England unveils its vision for improving access for D/deaf, disabled and neuro-divergent audiences, saying the curren…

Many companies are making brilliant accessible work and universal content that people want to see. But, as Harmeet Chagger-Khan ar…

Many funders are changing their strategies around funding for arts organisations, but Michelle Wright thinks those changes inadver…

What does a producer do? There are many possible answers but here Kate McStraw attempts to identify and articulate the most import…

A Freedom of Information request to see the minutes of the funder's Race and Disability Advisory Group is denied on the basis…

Trade union’s new guide provides advice to dance companies on how to reach diverse talent, making auditions and rehearsals a…

The date is two years later than outlined in the government’s National Disability Strategy, while an existing access card ex…

Independent music venues will be encouraged to form a national network offering daytime programmes of music-based activities to en…

Arts organisations led by Black, Asian or other ethnically diverse groups were least successful in obtaining financial support fro…

Extant theatre company hopes sharing best practice across the industry will lead to increased sector opportunities for visually im…

Cultural experiences – as offered by Our Place in Space – are vital for youngsters with special educational needs. Dan…

Following a significant improvement in accessibility to arts and culture during the pandemic, organisations are now pulling back f…

As Extant celebrates its 25th anniversary, Mary Paterson shares their plans to spearhead radical change for disabled people i…