My Gurus – Hanna Streeter
Hanna Streeter, Executive Director at Orange Tree Theatre, reflects on the key influences on her career, including being insp…
Hanna Streeter, Executive Director at Orange Tree Theatre, reflects on the key influences on her career, including being insp…
As low- or no-pay practices continue to dominate the arts and cultural sector, some enlightened employers are starting to reap the…
Financial insecurity plagues the working lives of cultural workers, with the self-employed and freelancers worst affected. But sol…
Liz Hill introduces the grim findings published this week in the ArtsPay 2018 report on pay in the arts and cultural sector.
As work gets underway on a new industry-wide digital code of best practice, Katie Moffat outlines four fundamental principles unde…
The case, expected to be the first of many such legal challenges to public sector bodies, has been described as a ‘wake-up c…
Digital skills are spread thin in cultural organisations, with only one in six of those in the most senior strategic roles identif…
Circus was created to fill a gap left by ‘serious’ theatre. Now a new generation of performers is rejecting bureaucrat…
Action learning, part of the Boosting Resilience programme, is highly valued by participants and facilitators. But what is it exac…
Supporting early career leaders is among the priorities for the funding, which will also aim to tackle the lack of diversity in se…
He is now Managing Director of the Society for All Artists, but Carl Gamble’s career began by rising up the ranks at retail…
Lack of career progression among women in the cultural sector is the overwhelming contributor to the significant gender pay gap re…
Venues need a better understanding of customer spending habits for purchases like pre-show meals and interval drinks. James McClur…
Pulling a community venue back from the brink needs vision, commitment and cost-effective solutions for tackling commercial challe…
Artists are using their creative insight to advise business on strategies and methods of production. Catherine Morel and Philippe…
Resilience in the arts may be linked with finance – but for Debbie Richards, it’s really about making bold and excitin…
The CEO and Artistic Director of Déda reflects on the influential figures he has learned from.
Tamara McNeill and Thanasis Spyriadis introduce the 'Theory of Change' approach, and Paul Steele explains how he used it t…
The city theatre in Ghent, Belgium has a new rulebook, aiming to open it up to the independent scene and international touring. Mi…
Wales takes a lead as arts professionals across all the countries of the UK are urged to take part in research that will shed ligh…
Effectively monetising creative work ensures that artists can continue to do what they love. Ros Gilman offers advice on pricing,…
Melissa Wong introduces a simple framework to help arts organisations identify their strengths, and build on them to boost their&n…
Having worked in the arts all over the world, Matina Magkou has observed some common challenges – and ways of overcoming the…
With over 80% of staff under 30, Lincoln Performing Arts Centre’s workforce is relatively young. Craig Morrow reve…