What’s the secret of the success of Brent’s music service? A belief that music education is never over, writes Cl…

How do you get from first gig to internationally recognised festival? Amy Pearce of EFG London Jazz Festival shares her tips.

A pilot project in rural North Yorkshire believes it’s landed on an effective and affordable model for delivering music tuit…

Since Cornwall Council closed its schools music service, an independent service has emerged that is no longer at the mercy of poli…

Partnerships with local authories are crucial to Orchestras Live’s work. Henry Little reveals how they’ve ma…

The latest figures from the Scottish Household Survey reveal that non-classical music has overtaken theatre as Scotland’s fa…

RSNO Composers’ Hub will introduce emerging composers to the business context of a major orchestra whilst developing their s…

With Wales set to revamp its education policy and bring the arts to the heart of its school curriculum, an opportunity exists to s…

Jo Wright tells us about his career, from long-haired rocker to Executive Director of FACT.

Saturday 18 July will be the UK’s first National Busking Day. Cities including London, Birmingham, Edinburgh and York will h…

As the Government prepares to make the English Baccalaureate compulsory in the GCSE curriculum – with arts subjects victims…

As part of a project to build new audiences for orchestral music, Rachel Escott explains her ‘stumbled across’ tactic…

The University of Bath – a university that offers no arts courses – recently launched a new arts venue, but its a…

Debra King and Sarah Perks share their experiences of delivering a multi-artform project as part of the sister-cities celebrations…

Helen Jamieson of Music at Paxton tells us about the people who have guided her to her “perfect” music management job.

Music venues and festivals that have signed an accessibility ‘Charter of Best Practice’ have seen an increase in ticke…

The new Executive Director of the National Orchestra for All, Kate Wareham, names those who inspire her work.

Carien Meijer describes some recent developments of technology and musical instruments for disabled musicians.

When Making Music learnt that it was no longer a National Portfolio Organisation, it was forced to rethink how it operated. Barbar…

Hubs have made “a strong start” but more still needs to be done to boost music provision, particularly for boys and ch…

Carien Meijer, Chief Executive of Drake Music, pays tribute to those who inspire her.

Venues that provide a training ground and experience for up-and-coming musicians are not up to standard and need investment to bri…

The Scottish Government’s youth arts strategy aims to increase engagement in the arts as well as tackle inequality. Fiona Hy…

Orchestras Live invited a group of 16-22 year olds to produce a concert with the City of London Sinfonia. Jan Ford …