Anna Frew has spent a year exploring the potential uses for drone technology in the arts. She tells us what she has discovered.&nb…

Membership of the Dance Touring Partnership has helped Warwick Arts Centre programme distinctive work and attract new audiences. A…

A review of the impact of the Family Arts Campaign finds growing commitment by arts organisations to serving family audiences.&nbs…

With a background in commercial marketing, Adam Buss recognises the power of Audience Finder. He tells Katie Flaherty&nb…

If we are to increase audiences and tackle cultural resistance, we must listen to all opinions about the art we produce – no…

The arts sector is not adopting mobile technology fast enough, says Tim Plyming, who sees it being used not just to sell tickets b…

The third public online discussion to shape the upcoming White Paper on culture has been launched, but engagement in previous disc…

Tired of the same old conversations about audience development, Victoria Johnson has decided to shake things up.

Can a small touring company benefit from running a Friends scheme? Liz Hill examines the opportunities and the challenges.

Awards for excellence in marketing, diversity and accessibility were presented to theatres in the annual UK Theatre Awards.

Placing data-scientists-in-residence in arts organisations has led to some futuristic tools that are of real use. Cimeon Elle…

Allegations that  Liverpool's Everyman & Playhouse Theatre are failing to embrace the local community couldn't be…

How many older people do you expect to see in a contemporary art gallery? Clare Hankinson tells how Fabrica’s older audience…

Older people want to be part of an intergenerational community not a ‘crinklies camp’. Stephanie Fuller shares this an…

In an era of data sharing, Marcus Romer asks who audience data belongs to: touring companies or venues?

Selling in the arts is improving but it could still learn a lot from retailers and travel companies, says Libby Penn.

Some arts attenders are more ‘promiscuous’ than others, the Audience Agency’s data can reveal.

Lorna Lee reveals how William Morris Gallery boosted its visitor numbers from 17,000 to 110,000 by engaging local people.

Partnerships with local authories are crucial to Orchestras Live’s work. Henry Little reveals how they’ve ma…

Libby Penn reveals how MAC Belfast achieved ambitious attendance targets in its first year of operation with the help of a be…

Who really benefits from ‘pay what you can’ and ‘pay what you decide’ ticketing offers? Two organisations…

After collecting more than 100,000 survey responses, Leo Sharrock and Helen Palmer can reveal the main reason people attend t…

For a recent production, Little Earthquake passed the reins over to 100 primary school children. Philip Holyman describes the even…

With more and more arts organisations forming consortiums, Trevelyan Wright shares his tips on how to be a strong lead or a suppor…