Kelly-Anne Collins shares the story of how one dance support network diversified – creating a platform to sho…

Are theatre intervals a helpful pause or an annoying inconvenience? Rachel Beaumont puts the question to Royal Opera House audienc…

Is it worth explaining conceptual contemporary art to ‘old age’ pensioners? Anna Goulding’s research sugges…

A YouTube network dedicated to the arts, in receipt of significant government funding and aiming to attract not millions but billi…

The Warwick Commission report may have sparked a useful debate, but how can its recommendations be acted upon locally, asks&n…

An online reward scheme has the potential to inspire children and young people’s interest in arts learning, believes Laurie…

People who 'don't do arts stuff' can't be expected to come to an arts event just because it's free, family-fri…

As part of a project to build new audiences for orchestral music, Rachel Escott explains her ‘stumbled across’ tactic…

The University of Bath – a university that offers no arts courses – recently launched a new arts venue, but its a…

Online sales of art may have grown significantly in the past year, but artists and galleries must work hard to attract a digital a…

Hannah Mitchell explains how arts organisations can achieve the desired ticket sales through significantly fewer em…

Roberta Doyle explains why Scotland’s theatre company ‘without walls’ tours the highlands and islands of Scotlan…

In true Bertrand Russell style, Chrissie Tiller suggests that we turn the burden of proof on its head – and prove that…

Carien Meijer describes some recent developments of technology and musical instruments for disabled musicians.

Creating a network of ambassadors to promote culture and creativity in schools in the north east of England has been a bigger and…

An in-depth project examining Sadler’s Wells’ ‘customer journey’ has resulted in a much more relevant and…

Amy Golding and Kay Hepplewhite report on recent  research to find out what a vibrant fringe theatre scene needs.

Theatre in education has seen many changes since it was first conceived in Coventry fifty years ago. Justine Themen tracks its his…

Despite decades of investment in audience development and the current enthusiasm for all things data, arts organisations still are…

REP’s Children, a project offering free theatre tickets for babies and their families for ten years, was so successful first…

Matt Baker explains how young people in the Chester area are being encouraged to get involved with theatre, dance and music,…

How nerve-wracking can it be to sell tickets for a festival that confronts issues such as suicide and abuse? Tim Harrison explains…

An easy, flexible ticketing system has boosted sales for a family show in an inflatable theatre that itself makes theatre-going an…

Feeling that the tales of real modern families are seldom told in the theatre, Liz O’Neill has developed a performance proje…