Making noises
Dianne Greig explains how Glasgow’s galleries and museums are collaborating through the WhiteNOISE project to develop the ci…
Posts
All change at audience agencies
Yorkshire declares independence while Scotland joins forces
Guidance in good practice
A new online knowledge bank combines information and guidance on bringing art and audiences together. Pam Pfrommer gives the backg…
New ideas about audiences
AP has always shared the best practice on audience development with the sector, says Liz Hill.
Does opera need famous faces or different places?
Chrissie Tiller says bringing opera into everyday spaces may broaden its audience.
Deepening engagement
Andrew McIntyre outlines a new approach to exploring cultural engagement which provides an insight into people’s behaviour – a…
Millions for more audiences
ACE’s strategic funds aim to improve audience engagement levels
Agency merger moves closer
A single national audience development organisation is to emerge from the ashes of the network of audience development agencies wh…
Family focus for audience development funds
Support for activity that increases family and cross-generation audiences is being given the highest profile in Arts Council Engla…
North East to lose audience agency
Audiences North East (ANE), the North East region’s audience development agency, has announced its closure at the end of Mar…
North East to lose its audience development agency
Merger talks fail to bear fruit as Audiences North East announces its closure
Audience development agencies to become one
England’s network of audience development agencies is to merge, following recent funding cuts
Audiences South hands over to London
Audience development agencies start to feel the impact of funding cuts
ENO wins Audience Development Award
English National Opera (ENO) has been awarded the Royal Philharmonic Society (RPS) award for Audience Development 2011 in recognit…
No change
Six years of audience development work has not upped engagement levels
What next?
Mike Ingham on ACE’s decision to cut funding to the Audience Development Agencies
‘My research is better than your research’
Liz Hill argues that now is not the time to put our heads in the sand about the impact of audience development activity in the art…
No change is good news
Roger Tomlinson on our story about audience development
If this is failure, we could do with a lot more of it
David Brownlee on our audience development story
ACE funding announcement
Audience development loses out as ACE prioritises organisations directly producing art
2020 Vision – Future marketing
In the second of our series looking at the arts world of the future, Alice Walton casts her mind forward to 2020 and asks how arts…
Only Connect: a new blueprint for audience development
Despite the current obsession, nobody seems to have nailed down exactly what we mean when we talk about ‘audience developmen…
