Tackling the power imbalance
Independent artists and producers are vulnerable to exploitation in a two-tier system characterised by precarious employment among…
Independent artists and producers are vulnerable to exploitation in a two-tier system characterised by precarious employment among…
Tamara McNeill and Thanasis Spyriadis introduce the 'Theory of Change' approach, and Paul Steele explains how he used it t…
A report calls for flatter and more diverse leadership in arts organisations, and encourages the nurturing of individual leadershi…
Role changes, salary increases and associated benefits led to members of Arts Council England’s senior team seeing their rem…
Trish Wadley reveals the trajectory of her globe-trotting career.
Incoming Executive Director Erin Gavaghan believes the sector still has work to do on changing traditional working structures to m…
The former CIF policy priority of campaigning against a compulsory EBacc in schools has been shelved in favour of an “early…
Leaders in the arts sector need to focus more on self-awareness and reflection, which is why the Boosting Resilience programme has…
Mary Caws, who has held similar roles at Theatre Royal Stratford East and Watford Palace Theatre, will take up post next month.
Matt Griffiths reveals how his career progressed from freelance percussionist to Chief Executive of Youth Music.
WHALE Arts’ Leah Black explains how her career has been shaped by artists with a strong business understanding and her preci…
You may think Debbie Geraghty should be celebrating the current diversity debate, so why isn’t she?
The former Chief Executive of The Place joins as the organisation embarks on a major capital project and seeks to redefine itself…
The rise of women chief executives has been concentrated in the smallest of arts organisations, an examination of England’s…
A hundred years after (some) women got the vote, they are still under-represented in creative and management positions in the arts…
Roxana Silbert charts her career from drama school to Artistic Director of Birmingham Rep.
Currently Global Director for Cultural Skills at the British Council, Simon Dancey will take up the new role in July.
Tate Director Maria Balshaw said she was confident Legg would lead the organisation “into a new era”.
The free courses will be available on two learning platforms and will offer content on themes including ethical fundraising, chang…
Good governance is all about the culture of an organisation – and the good news is that trustees have the opportunity t…
Given that trustees have financial and legal responsibility for their charity, it’s no surprise many people lack the confide…
Built on experiences at the Roundhouse, the Arts Council England-backed guide offers practical advice on selecting young trustees…
The theatre has apologised and committed to introducing ‘guardians’ at the organisation who will become an informal ch…
For an amateur theatre company to be financially stable and well supported it needs the right volunteers in key roles, as well as…