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With the departure of Sir Simon Rattle from the London Symphony Orchestra, just one amongst several high-profile resignations, Norman Lebrecht considers the chances of survival of orchestras in post-Brexit Britain.

In the first month of Brexit, two British orchestras were publicly beheaded. The London Symphony Orchestra was shocked to discover that its music director, Sir Simon Rattle, had taken a better job in Munich, while the City of Birmingham Symphony Orchestra was forced to accept that its luminous Lithuanian, Mirga Gražinyte-Tyla, was simply too hot to hold any longer. Some pundits quickly predicted a post-Brexit talent haemorrhage.

Of the two decapitations, the LSO’s was by far the more painful. Rattle is a totemic figure, a tousle-haired Liverpudlian who learned his scores in public libraries and won a music scholarship from the local council. He is the ultimate welfare-state success story, with a knighthood and an Order of Merit to show for it. He spent 18 years converting rustbelt Birmingham into a musical mecca.

That this personable, unpretentious, dedicated man should now declare his future in Europe and apply for German citizenship is a severe shock to the system. At the darkest hour, with concert halls shuttered and musicians facing visa hell, Rattle’s defection is being regarded, rightly or wrongly, as a loss of faith.... Keep reading on the Spectator.