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Clarissa Sebag-Montefiore meets arts leaders across Australia and assesses public funding for the arts in the country, asking whether the current focus on risk-aversion is a recipe for mediocrity.

In a rehearsal room here earlier this year, actors were doing a walk-through of the stage adaptation of “The 91-Story Treehouse,” a best-selling children’s book. In the magical world the play creates, two well-meaning, if haphazard, protagonists live in a multistory treehouse where they try to... Keep reading on The New York Times