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Paul Widdop and Siobhan McAndrew examine why the UK’s jazz music scene continues to be male dominated. 

There are are relatively few female musicians in jazz. Recordings led by women formed only one-fifth of the top 50 albums NPR Music Jazz Critics Poll over 2017 to 2019, and this seems to be a long-term trend: a survey of British jazz musicians in 2004 suggested 14% were female.

Rather than there being explicit barriers to entry, scholarly attention has focused on gender differences in preferences and socialisation: men seeing concerts as a male space, and male musicians more likely to be encouraged to continue following early experience of playing with others – particularly in terms of learning improvisation and taking a solo from a young age.

It’s a cliché that music is a meritocracy, in which success is seen to arise from a combination of talent and effort. If women are not present in jazz, it is often assumed to be because they cannot play well enough, play the wrong instruments, or simply prefer other musical genres and the cultures around them... Keep reading on The Conversation.