Outdoor theatre was a lifeline for some companies at the height of the pandemic. Steve Waters thinks it should continue.
Indoor theatre is back. Despite audiences being inscrutable in masks, I’ve seen two packed shows and begun to believe that theatres are finally recovering after a dreadful year. But the outdoor experiments that have kept theatre’s flame alight during the pandemic shouldn’t be cast aside in the process.
The appeal of Zoom productions, livestreams and audio shows may have peaked, but outdoor theatre has been a life saver for some companies, with venues as diverse as London’s Arcola Theatre and the world famous Royal Shakespeare Company venturing outside. I’ve experienced its pleasures first-hand as a playwright collaborating with outdoor specialists Tangled Feet to create a show performed in nature reserves back in September.
Indoor theatre is back. Despite audiences being inscrutable in masks, I’ve seen two packed shows and begun to believe that theatres are finally recovering after a dreadful year. But the outdoor experiments that have kept theatre’s flame alight during the pandemic shouldn’t be cast aside in the process.
The appeal of Zoom productions, livestreams and audio shows may have peaked, but outdoor theatre has been a life saver for some companies, with venues as diverse as London’s Arcola Theatre and the world famous Royal Shakespeare Company venturing outside. I’ve experienced its pleasures first-hand as a playwright collaborating with outdoor specialists Tangled Feet to create a show performed in nature reserves back in September.
The question is what can be learned by opening the theatre doors and stepping outside... Keep reading on The Conversation.