Tuesday, 11 June 2013
Being entertaining ought to be the centerpiece of arts engagement efforts, argues Barry Hessenius.
Thursday, 06 June 2013
In light of the Doctor Who proms ticket touting debacle, Michael Rushton explains how and why third party ticket resale happens.
The Edinburgh Fringe trades on the hopes of artists and companies and its image of pop-up spontaneity, while those at the top make the money, says Pippa Bailey.
Wednesday, 05 June 2013
Tiffany Jenkins argues that the Burrell Collection should stick with the wishes of its original donor and not go on tour.
When making a case for the economic contribution of the arts, you’re better off not including classical music, says Owen Spottiswoode.
Tuesday, 04 June 2013
Culture Secretary Maria Miller is a politician promoted far beyond her talents who is failing to capitalise on the fantastic opportunity of leading the DCMS , says Quentin Letts.
Supporters of a sidelined bill that would have seen $75 million guaranteed annually for the California Arts Council are having to renegotiate. Tax payers and motorists have proved reluctant to donate.
Wednesday, 29 May 2013
The subsidised sector is a vital training ground for those who go on to produce commercial hits, says Matthew Linley.
Deborah Stone summarises the megatrends changing the role of arts organisations and museums.
Tuesday, 28 May 2013
Wendy Earle says we need to develop an alternative way of defending the value and importance of art and arts education.
Friday, 24 May 2013
Dominic Cavendish finds a dichotomy in the West End between sell-out big hits and struggling theatres with empty seats.
The Conservative Home website sparks debate in the comments with its opinions on local authority support for the arts.
Wednesday, 22 May 2013
Adam Thurman explains how arts venues need new audiences more than audiences need to find new venues.
An ambitious digital project helped a musical venue in America reconnect with its audience
Fin Kennedy on the issues being raised with the Chair of Arts Council England and how he is responding.
Friday, 17 May 2013
Kara Larson reveals why arts organisations are failing to turn to their occasional attenders into a regular audience.
People’s desire to post photographs online is meaning rules are having to change about taking pictures in art galleries, says Carolina A. Miranda.
Tuesday, 14 May 2013
Big business partnerships with the arts can lead to innovative projects that help grow and diversify audiences, says Tina Mermiri.
Arts attenders who join membership schemes want to feel part of a club with distinct privileges, says David Lister.
Michelle Lefevre suggests how to battle myths about arts funding… and when to admit defeat.