Damian Thompson reports on allegations of a darker side to the Venezuelan music ‘miracle’ El Sistema, and finds some parallels in the UK's specialist music schools.
The two trendiest words in classical music are ‘El Sistema’. That’s the name for the high-intensity programme of instrumental coaching that turned kids from the slums of Venezuela into the thrilling Simon Bolivar Youth Orchestra (SBYO), conducted by hot young maestro Gustavo Dudamel before he was poached by the Los Angeles Philharmonic.
Or so the legend goes. When the SBYO was booked for the Proms in 2011, the concert sold out in three hours. Sir Simon Rattle, no less, declared El Sistema to be ‘the most important thing happening to classical music anywhere in the world’. Audiences wept at the sight of former street urchins producing a tumultuous, triumphant — and virtually note-perfect — performance of Beethoven’s Fifth. ‘If people cry two minutes into the concert, there’s nothing more to say,’ declared Rattle.
But it turns out that there is more to say, though it was last week before anyone spelled it out... Keep reading on The Spectator
The two trendiest words in classical music are ‘El Sistema’. That’s the name for the high-intensity programme of instrumental coaching that turned kids from the slums of Venezuela into the thrilling Simon Bolivar Youth Orchestra (SBYO), conducted by hot young maestro Gustavo Dudamel before he was poached by the Los Angeles Philharmonic.
Or so the legend goes. When the SBYO was booked for the Proms in 2011, the concert sold out in three hours. Sir Simon Rattle, no less, declared El Sistema to be ‘the most important thing happening to classical music anywhere in the world’. Audiences wept at the sight of former street urchins producing a tumultuous, triumphant — and virtually note-perfect — performance of Beethoven’s Fifth. ‘If people cry two minutes into the concert, there’s nothing more to say,’ declared Rattle.
But it turns out that there is more to say, though it was last week before anyone spelled it out... Keep reading on The Spectator