The Unlimited scheme may have pushed disabled-led arts practices forward, but it promotes a producer, not curator-led model. Aidan Moesby discusses the relationship between disabled artists and curators.
I was interested to read a curator’s perspective on Unlimited, What’s Changed? by Rose Lejeune earlier this year. Particularly so, given that Unlimited doesn’t work with a curatorial model but that of a producer model. The more I thought about my response to the article, so the reach of a personal response extended... Keep reading on Disability Arts
I was interested to read a curator’s perspective on Unlimited, What’s Changed? by Rose Lejeune earlier this year. Particularly so, given that Unlimited doesn’t work with a curatorial model but that of a producer model. The more I thought about my response to the article, so the reach of a personal response extended... Keep reading on Disability Arts