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The V&A’s efforts to begin a global conversation on the reproduction of art in museums and galleries could spark much needed international cooperation, writes Maggie Gray.

In 1867, the founding director of the Victoria and Albert Museum, Henry Cole, released the ‘Convention for Promoting Universally Reproductions of Works of Art for the Benefits of Museums of All Countries’. The declaration was conceived in response to the rise of new technologies – specifically plaster-casting, electrotyping and photography – that enabled artefacts to be recorded and reproduced more accurate.. Keep reading on Apollo