Wednesday, 22 February 2023
Artist César Aréchiga visited one of Mexico’s most dangerous prisons to run art classes. Sam Edwards describes what happened.
Wednesday, 15 February 2023
As Rishi Sunak makes maths compulsory for all students, Caroline Norbury argues that creativity should be at the heart of the UK’s education agenda.
US theatres are yet to recover from the pandemic. Chloe Veltman says in order to survive they need to embrace change through investing in new and creative solutions.
A group of researchers have been investigating how to decolonise the cultural policy curriculum. Here, they reflect on the practice required to develop critically engaged citizens.
Oldham Coliseum has confirmed it has faced ‘governance, financial and leadership’ concerns in recent years, with ACE deeming it a ‘high risk application’. Lea Legraien has the details.
The results of a new survey of arts PR professionals uncovers concerns about regional coverage and the cost-of-living crisis, with a majority considering leaving the industry. Mobius has published the full report.
Wednesday, 08 February 2023
How can we promote human development through equitable and accessible pathways into the arts? Dennie Palmer Wolf is seeking answers.
The theatre industry is facing a severe economic crisis, leading to a mass exodus of talent. Ella Braidwood highlights new works which delve into these realities.
Maxine Peake says the closure of Oldham Coliseum is emblematic of how cultural institutions are continually ‘punished’ for being located in the North. Minnie Stephenson reports.
A new report finds a correlation between cities with limited cultural offering and high socioeconomic disadvantage. Key Cities presents the case for increased investment in culture.
Reflecting on her classical music education, Michelle Hromin sheds light on the burnout addiction embedded in the instituional model.
Wednesday, 01 February 2023
Having an arts and humanities background can cultivate skills that are much sought-after in the tech world, writes Helena Pozniak.
Returning the Parthenon marbles to Greece is perceived as “asset-stripping,” but reframing the cultural restitution conversation might enrich us all, writes Charlotte Higgins.
Funding squeezes, soaring bills and shifts in audience behaviour are posing existential threats to museums, but leaders are determined to take control. Geraldine Kendall Adams reports.
Following the resignation of New Zealand’s PM Jacinda Ardern, Andrew Wood argues that, despite her achievements, she fell short of an arts and cultural strategy.
Resentment towards AI art is grounded in the philistine argument that it can't create works of lasting artistic value, writes Justin E. H. Smith.
Wednesday, 25 January 2023
Glyndebourne’s announcement that it will have to cease touring due to funding cuts makes the industry “even more elitist,” argues Soraya Mafia.
Classical music is witnessing a surge of interest among the younger generation. Daisy Woodward looks at how the formerly elite genre is becoming mainstream.
What does it mean to ‘perform’ disability? asks Caroline Butterwick, as she considers how she moulds herself to fit societal expectations of being disabled.
The Louvre’s director, Laurence des Cars, has decided to limit the number of visitors to ensure a better viewing experience. Vincent Noce has the details.